1 00:00:00,000 --> 00:00:04,400 In ancient traditions around the world, 2 00:00:04,500 --> 00:00:10,240 powerful, sacred sounds were used to communicate with the heavens. 3 00:00:10,340 --> 00:00:15,380 The whole universe resonates with the sound of. 4 00:00:15,480 --> 00:00:20,080 But what sound also used to create megalithic structures? 5 00:00:20,180 --> 00:00:23,960 They had a certain sound, a certain vibration, 6 00:00:24,060 --> 00:00:27,920 and the blocks moved by themselves 7 00:00:27,980 --> 00:00:30,880 and could seemingly primitive rituals actually 8 00:00:30,980 --> 00:00:35,420 have been connected to otherworldly technology. 9 00:00:35,520 --> 00:00:41,320 Within the harmonics and overtones of a complex sound, 10 00:00:41,420 --> 00:00:44,660 you could impart all kinds of information. 11 00:00:44,760 --> 00:00:47,740 Ancient astronaut theorist, George O'Soukoulos, 12 00:00:47,840 --> 00:00:52,100 and author David Chaudras, have gathered experts in science, 13 00:00:52,200 --> 00:00:56,480 religion, and mythology to explore the mysterious power 14 00:00:56,540 --> 00:00:59,140 of sound. 15 00:00:59,240 --> 00:01:02,640 Monuments worldwide have acoustic properties, 16 00:01:02,740 --> 00:01:04,540 and it's all harmonics. 17 00:01:04,640 --> 00:01:08,320 And the possibility that new discoveries in acoustics 18 00:01:08,420 --> 00:01:12,720 could lead to the next giant leap in human evolution. 19 00:01:12,820 --> 00:01:15,920 This is literally getting the right vibrations 20 00:01:16,020 --> 00:01:18,560 to create the next experience of reality. 21 00:01:22,060 --> 00:01:24,740 There is a doorway in the universe. 22 00:01:26,540 --> 00:01:30,580 Beyond it is the promise of truth. 23 00:01:30,680 --> 00:01:35,880 It demands we question everything we have ever been taught. 24 00:01:35,980 --> 00:01:39,280 The evidence is all around us. 25 00:01:39,380 --> 00:01:43,460 The future is right before our eyes. 26 00:01:43,560 --> 00:01:46,200 We are not alone. 27 00:01:46,300 --> 00:01:48,700 We have never been alone. 28 00:01:56,540 --> 00:01:59,040 I'm really delighted to be here with you guys, 29 00:01:59,140 --> 00:02:02,740 because I think that acoustics is definitely 30 00:02:02,840 --> 00:02:06,840 something that needs to be explored even further. 31 00:02:06,940 --> 00:02:12,280 As humans, music and acoustics are very important to our lives. 32 00:02:12,380 --> 00:02:17,020 Remember, from the Bible, it says, God created the world how? 33 00:02:17,120 --> 00:02:17,960 In the beginning was a word. 34 00:02:18,060 --> 00:02:18,620 By speaking. 35 00:02:18,720 --> 00:02:19,120 He spoke. 36 00:02:19,220 --> 00:02:19,760 He spoke. 37 00:02:19,860 --> 00:02:21,300 It's spoken. 38 00:02:21,400 --> 00:02:22,260 All right? 39 00:02:22,360 --> 00:02:25,760 The oral tradition is not just words or intellect. 40 00:02:25,780 --> 00:02:27,180 It's an entire tonal thing. 41 00:02:27,280 --> 00:02:29,420 When the universe was created, it 42 00:02:29,520 --> 00:02:32,820 says that the whole earth has a grid of tones 43 00:02:32,920 --> 00:02:34,020 that founds everything. 44 00:02:34,120 --> 00:02:36,120 That is the same thing in ancient India with om. 45 00:02:36,220 --> 00:02:37,560 They're saying exactly the same thing, 46 00:02:37,660 --> 00:02:40,060 that the universe started with one note. 47 00:02:40,160 --> 00:02:41,160 A single note. 48 00:02:41,260 --> 00:02:42,560 A vibration. 49 00:02:42,660 --> 00:02:44,200 And then it's the om sound. 50 00:02:48,900 --> 00:02:54,240 Om is a sacred sound in the eastern religions of Hinduism, 51 00:02:54,320 --> 00:02:56,740 Buddhism, and Jainism. 52 00:03:01,040 --> 00:03:04,940 Hindu concept of cosmic sound is simply om. 53 00:03:05,040 --> 00:03:11,720 Om is made of three letters, A, U, and M. 54 00:03:11,820 --> 00:03:17,160 Those three letters combined makes the sound om. 55 00:03:17,260 --> 00:03:23,560 And the whole universe resonates with the sound om. 56 00:03:23,620 --> 00:03:28,360 Om was not just found in Hinduism and Vedic tradition. 57 00:03:28,460 --> 00:03:30,520 It's very much used in Buddhism. 58 00:03:30,620 --> 00:03:35,260 It's utilized in Jainism and also in Sikhism as well. 59 00:03:35,360 --> 00:03:38,960 And it is the most common and most sacred of all mantras 60 00:03:39,060 --> 00:03:42,600 in all of these traditions. 61 00:03:42,700 --> 00:03:47,240 The concept of om first appears in the Vedas, the religious text 62 00:03:47,340 --> 00:03:50,640 that formed the foundation of Hinduism. 63 00:03:50,700 --> 00:03:53,940 According to the texts, specific vibrations 64 00:03:54,040 --> 00:03:57,500 created through ritualistic chanting, singing, and prayer 65 00:03:57,600 --> 00:04:00,840 can provide a direct connection between humans 66 00:04:00,940 --> 00:04:02,140 and the gods themselves. 67 00:04:04,740 --> 00:04:08,480 The importance of sound in Hinduism and Buddhism 68 00:04:08,580 --> 00:04:13,120 is very, very vital. 69 00:04:13,220 --> 00:04:18,920 Without sound, you cannot pronounce a mantra. 70 00:04:19,380 --> 00:04:26,120 Mantra is combined words made into invocation. 71 00:04:26,220 --> 00:04:30,420 As described in the Vedic texts, the gods provided humankind 72 00:04:30,520 --> 00:04:33,620 with a visual aid to remember these sacred sounds, 73 00:04:33,720 --> 00:04:37,860 elaborate patterns called mandalas. 74 00:04:37,960 --> 00:04:43,680 Mandalas are mnemonic devices used to aid meditation, 75 00:04:43,780 --> 00:04:47,580 often in tandem with chanting. 76 00:04:47,640 --> 00:04:50,780 What's interesting is that in Hindu temples, 77 00:04:50,880 --> 00:04:56,540 we have a visual representation of mandalas. 78 00:04:56,640 --> 00:05:01,220 So what they're doing is they're essentially translating sound 79 00:05:01,320 --> 00:05:04,480 into visual patterns. 80 00:05:04,580 --> 00:05:08,220 In modern technology, these are called Kladni patterns. 81 00:05:11,500 --> 00:05:15,800 In 1787, German physicist Ernst Kladni, 82 00:05:15,920 --> 00:05:17,920 known as the father of acoustics, 83 00:05:18,020 --> 00:05:21,260 published his seminal work, Discoveries in the Theory 84 00:05:21,360 --> 00:05:22,560 of Sound. 85 00:05:22,660 --> 00:05:25,360 In it, Kladni describes an experiment 86 00:05:25,460 --> 00:05:27,540 that shows how vibrations can create 87 00:05:27,640 --> 00:05:30,600 exotic geometric shapes. 88 00:05:30,700 --> 00:05:33,900 We've got this thing called the Shladni plate 89 00:05:34,000 --> 00:05:36,780 after the scientists who invented it. 90 00:05:36,880 --> 00:05:39,720 It's a thin metal plate, like a sounding board. 91 00:05:39,820 --> 00:05:43,180 And we've got a transducer attached to the bottom of it. 92 00:05:43,200 --> 00:05:46,640 And they spread sand over the top of this plate. 93 00:05:46,740 --> 00:05:48,340 And we start playing certain tones. 94 00:05:52,140 --> 00:05:55,380 And those sand particles start to bounce around and dance 95 00:05:55,480 --> 00:05:56,280 around. 96 00:05:56,380 --> 00:05:59,780 And they start to form these mathematical circular patterns. 97 00:06:02,520 --> 00:06:04,820 And as we move up through these frequencies, 98 00:06:04,920 --> 00:06:09,420 the sand goes into kind of a chaos in between state. 99 00:06:09,520 --> 00:06:11,260 And then it arrives at this next pattern. 100 00:06:13,240 --> 00:06:18,000 And the higher the frequency you go, 101 00:06:18,100 --> 00:06:20,880 the more these patterns become more complex. 102 00:06:28,980 --> 00:06:32,780 In the 1960s, Swiss scientist Hans Jeni 103 00:06:32,880 --> 00:06:35,320 was experimenting with Kladni patterns 104 00:06:35,420 --> 00:06:38,880 when he noticed an extraordinary connection. 105 00:06:38,980 --> 00:06:40,760 Jenny tried it with own. 106 00:06:44,180 --> 00:06:47,260 And it generated an image of a circle 107 00:06:47,360 --> 00:06:48,760 with a dot in the middle. 108 00:06:48,860 --> 00:06:50,960 That itself is actually very interesting, 109 00:06:51,060 --> 00:06:55,060 because the most fundamental elements of any mandala 110 00:06:55,160 --> 00:07:01,100 will usually be a circle with a dot marking the cosmic center. 111 00:07:01,200 --> 00:07:04,140 Today, the patterns made by frequencies 112 00:07:04,240 --> 00:07:06,280 are known as simatics. 113 00:07:06,380 --> 00:07:09,940 In modern technology, we are able to create 114 00:07:10,200 --> 00:07:14,680 visual representations of sounds. 115 00:07:14,780 --> 00:07:19,120 What is remarkable is that we see the same patterns 116 00:07:19,220 --> 00:07:23,520 in Hindu temples in ancient Indian structures. 117 00:07:26,820 --> 00:07:30,800 At the Sari Ranganatha Swamy Temple in southern India, 118 00:07:30,900 --> 00:07:35,100 our 40 ornate statues carved from monolithic columns. 119 00:07:35,200 --> 00:07:37,400 The statues depict leaping animals. 120 00:07:37,460 --> 00:07:40,800 And above them, Bhimanas, vehicles that, according 121 00:07:40,900 --> 00:07:44,440 to ancient Hindu texts, were flown by the gods. 122 00:07:46,840 --> 00:07:51,780 The word Bhimana in ancient Vedic texts 123 00:07:51,880 --> 00:07:54,480 means flying machines. 124 00:07:54,580 --> 00:07:57,580 In Hinduism, this clearly established 125 00:07:57,680 --> 00:08:02,020 that the gods come down from the sky using Bhimanas. 126 00:08:02,120 --> 00:08:05,520 In the temple of Sri Rangop, these carvings 127 00:08:06,220 --> 00:08:10,020 show many different types of Bhimanas. 128 00:08:13,820 --> 00:08:18,220 And what's really unique is that under these Bhimanas, 129 00:08:18,320 --> 00:08:24,600 we are able to see some very interesting patterns of mandala. 130 00:08:24,700 --> 00:08:29,440 Some researchers believe these mandalas represent more than just 131 00:08:29,540 --> 00:08:31,940 an artistic flourish. 132 00:08:32,440 --> 00:08:35,840 According to legend, each type of Bhimana 133 00:08:35,940 --> 00:08:41,180 can be activated with a specific type of mandala. 134 00:08:41,280 --> 00:08:46,780 If we crack this visual code, if we crack this cinematic pattern, 135 00:08:46,880 --> 00:08:52,360 we might actually unlock the secret to power these Bhimanas. 136 00:09:02,000 --> 00:09:05,300 Think about all this is somehow connected to simatics 137 00:09:05,400 --> 00:09:10,300 and some of these shapes that we see in the ancient hieroglyphics 138 00:09:10,400 --> 00:09:12,680 and some of these structures, megalithic structures. 139 00:09:12,780 --> 00:09:15,980 And you can reproduce those with sound waves. 140 00:09:16,080 --> 00:09:19,980 And so I wonder if when these patterns occur, 141 00:09:20,080 --> 00:09:26,060 when we create these sounds, is this kind of like we're 142 00:09:26,160 --> 00:09:29,500 inserting the pen to open up an encrypted PDF file 143 00:09:29,600 --> 00:09:30,960 to read the information? 144 00:09:31,020 --> 00:09:34,060 And what they're trying to tell us with a mandala 145 00:09:34,160 --> 00:09:39,820 is that this is the simatic code, the shape, the vibration, 146 00:09:39,920 --> 00:09:45,200 the sound that's going to levitate or do whatever. 147 00:09:45,300 --> 00:09:47,400 You make this picture with sound and you've done it. 148 00:09:47,500 --> 00:09:49,840 There's knowledge of the ancients, 149 00:09:49,940 --> 00:09:52,840 which was concealed because mankind was not 150 00:09:52,940 --> 00:09:55,380 considered ready for it. 151 00:09:55,480 --> 00:09:56,920 And this was that technology. 152 00:10:01,580 --> 00:10:05,960 What's interesting about this whole harmonics and simatics 153 00:10:06,060 --> 00:10:08,060 is that this is a universal thing. 154 00:10:08,160 --> 00:10:10,260 It's going to be throughout the universe. 155 00:10:10,360 --> 00:10:11,660 It's every single planet. 156 00:10:11,760 --> 00:10:13,360 That's called the anthropic principle. 157 00:10:13,460 --> 00:10:14,940 It's like mathematics. 158 00:10:15,040 --> 00:10:18,300 We have discovered all these extreme amplitudes 159 00:10:18,400 --> 00:10:19,600 of acoustic sounds. 160 00:10:19,700 --> 00:10:23,680 And right now, we're currently working on how we might be using 161 00:10:23,780 --> 00:10:26,180 it for future technologies. 162 00:10:26,280 --> 00:10:27,180 I love it. 163 00:10:27,280 --> 00:10:29,380 So let me tell you a story. 164 00:10:29,440 --> 00:10:32,600 About an event that happened very recently. 165 00:10:32,700 --> 00:10:34,480 Two scientists have done an experiment. 166 00:10:34,580 --> 00:10:37,040 They go into the great detailed math 167 00:10:37,140 --> 00:10:40,480 of the quantum interaction with the sound interaction. 168 00:10:40,580 --> 00:10:43,280 And they call that a phonon-photon interaction. 169 00:10:43,380 --> 00:10:45,120 Phonon is the particle for sound. 170 00:10:45,220 --> 00:10:49,860 And discovered that sound can trigger this negative mass 171 00:10:49,960 --> 00:10:50,460 effect. 172 00:10:52,960 --> 00:10:57,560 In March, 2019, scientists at Columbia University 173 00:10:57,620 --> 00:11:01,460 in New York City made a shocking discovery that redefined 174 00:11:01,560 --> 00:11:04,020 the known laws of physics. 175 00:11:04,120 --> 00:11:08,060 In an experiment, physicist Angelo Esposito 176 00:11:08,160 --> 00:11:11,400 demonstrated that phonons are affected by gravity, 177 00:11:11,500 --> 00:11:14,900 but in a highly unexpected way. 178 00:11:15,000 --> 00:11:17,640 Instead of being forced down towards the Earth, 179 00:11:17,740 --> 00:11:21,540 phonons actually rise upwards. 180 00:11:21,640 --> 00:11:24,920 Scientists have discovered that the phonon itself 181 00:11:24,940 --> 00:11:29,020 has mass, which nobody thought it had before. 182 00:11:29,120 --> 00:11:31,780 But the closer it looked, the realized that it wasn't mass 183 00:11:31,880 --> 00:11:32,780 at all. 184 00:11:32,880 --> 00:11:36,020 It was negative mass and negative gravity. 185 00:11:36,120 --> 00:11:39,320 It turns out that under certain conditions with sound waves, 186 00:11:39,420 --> 00:11:43,160 sound waves can actually start to rise rather than fall. 187 00:11:43,260 --> 00:11:44,500 And this was an anomaly. 188 00:11:44,600 --> 00:11:46,660 But yes, it seems to be consistent with the laws 189 00:11:46,760 --> 00:11:49,800 of physics that certain vibrations instead of falling 190 00:11:49,900 --> 00:11:52,540 down can actually fall up. 191 00:11:54,980 --> 00:11:57,720 To me, that's experimental evidence 192 00:11:57,820 --> 00:12:01,420 that you can, if you understand sound the right way, 193 00:12:01,520 --> 00:12:03,920 use it to levitate heavy things. 194 00:12:04,020 --> 00:12:09,360 So could this imply that the ancient stories of levitation 195 00:12:09,460 --> 00:12:13,200 of stones, that some type of technology like that 196 00:12:13,300 --> 00:12:14,840 was implemented? 197 00:12:14,940 --> 00:12:15,940 That's right. 198 00:12:16,040 --> 00:12:20,980 And that comes back to this whole idea with the simatics, 199 00:12:21,080 --> 00:12:23,940 which is where we're taking certain sounds and putting them 200 00:12:24,000 --> 00:12:25,560 in what we'll call standing waves. 201 00:12:25,660 --> 00:12:29,040 And they produce these amazing geometric figures. 202 00:12:29,140 --> 00:12:32,000 And you could envision, if you knew the way 203 00:12:32,100 --> 00:12:33,500 to manipulate this the right way, 204 00:12:33,600 --> 00:12:36,640 you could make three-dimensional figures with it even. 205 00:12:36,740 --> 00:12:40,080 You could have sound not just underneath it, but all around it. 206 00:12:40,180 --> 00:12:43,520 And in fact, I've seen one where there are multiple transducers 207 00:12:43,620 --> 00:12:48,420 in a way, and they can levitate little Styrofoam balls 208 00:12:48,520 --> 00:12:51,560 and ping pong balls just by having the sound in the right way 209 00:12:51,620 --> 00:12:55,420 and even do multiple ones in configuration. 210 00:12:55,520 --> 00:12:59,060 So imagine if you could amplify the power. 211 00:12:59,160 --> 00:13:02,360 If you could amplify the principle, 212 00:13:02,460 --> 00:13:05,300 wouldn't that or couldn't that apply? 213 00:13:05,400 --> 00:13:06,300 Absolutely. 214 00:13:06,400 --> 00:13:10,240 Because we have ancient stories in ancient Egypt, in England. 215 00:13:10,340 --> 00:13:14,480 Some of the Stonehenge blocks, according to some of the legends, 216 00:13:14,580 --> 00:13:18,920 magician Merlin was able to levitate those stones 217 00:13:19,020 --> 00:13:20,580 across the plains of England. 218 00:13:20,640 --> 00:13:22,800 Right. 219 00:13:22,900 --> 00:13:25,080 Is it possible that the same principles 220 00:13:25,180 --> 00:13:28,840 utilize to move sand particles and larger objects, 221 00:13:28,940 --> 00:13:31,340 such as ping pong balls, could also 222 00:13:31,440 --> 00:13:36,920 be used on a larger scale to lift and move much heavier objects? 223 00:13:37,020 --> 00:13:39,320 Curiously, a great number of stories 224 00:13:39,420 --> 00:13:41,820 can be found in the ancient world that 225 00:13:41,920 --> 00:13:47,460 involved the use of sound to levitate massive stones. 226 00:13:47,560 --> 00:13:49,360 Although I round the world, there 227 00:13:49,420 --> 00:13:54,680 are myths and legends relating to the movement of stone blocks. 228 00:13:54,780 --> 00:13:57,760 Using sound technology, these are found 229 00:13:57,860 --> 00:14:03,660 amongst the Maya of Mexico, the Phoenicians of the Near East, 230 00:14:03,760 --> 00:14:05,960 and in Tibet. 231 00:14:06,060 --> 00:14:08,960 We have stories in ancient Egypt, even, 232 00:14:09,060 --> 00:14:12,500 where they seem to be able to move the stone effortlessly 233 00:14:12,600 --> 00:14:15,840 from one place to another, some way in hundreds of tons. 234 00:14:16,820 --> 00:14:21,860 In the 10th century AD, the Arab historian Abul Hassan Ali 235 00:14:21,960 --> 00:14:26,160 Al-Masudi wrote that the Egyptians were visited by beings known 236 00:14:26,260 --> 00:14:30,200 as the guardians of the sky, who gave them knowledge that 237 00:14:30,300 --> 00:14:33,900 enabled them to levitate the massive limestone blocks with 238 00:14:34,000 --> 00:14:35,740 which they built the Great Pyramid. 239 00:14:39,240 --> 00:14:43,340 In old Egypt, they had a certain sound, 240 00:14:43,940 --> 00:14:49,140 a certain vibration, and the blocks moved by themselves. 241 00:14:49,240 --> 00:14:53,020 They show a technology which we do not have. 242 00:14:53,120 --> 00:14:57,620 If acoustic technology was used to levitate massive stones, 243 00:14:57,720 --> 00:15:00,520 as ancient astronaut theorists suggest, 244 00:15:00,620 --> 00:15:02,560 might knowledge of this technology 245 00:15:02,660 --> 00:15:07,660 have been left for humankind to rediscover? 246 00:15:07,760 --> 00:15:11,700 This levitation technology is exotic, 247 00:15:11,720 --> 00:15:14,400 because we have no idea how to do this today 248 00:15:14,500 --> 00:15:16,760 for thousands of years now. 249 00:15:16,860 --> 00:15:21,700 We've turned this into the realm of legends and myths. 250 00:15:21,800 --> 00:15:24,800 The fact that we have stories of these ancient gods, 251 00:15:24,900 --> 00:15:29,480 in my opinion, is that we are suggesting that our ancestors 252 00:15:29,580 --> 00:15:34,380 misinterpreted these beings as gods because their technology 253 00:15:34,480 --> 00:15:38,480 far surpassed their current frame of reference. 254 00:15:38,540 --> 00:15:42,640 So these beings from our ancient past had probably 255 00:15:42,740 --> 00:15:46,240 figured this out in order to do whatever it was they did. 256 00:15:46,340 --> 00:15:51,280 And that lends us down the road of how do we figure it out? 257 00:15:51,380 --> 00:15:54,620 And that's something that I'm really intrigued by. 258 00:15:54,720 --> 00:15:59,420 This technology will not only transform our society, 259 00:15:59,520 --> 00:16:01,260 it'll change our world. 260 00:16:02,140 --> 00:16:07,140 To me, this is fascinating that there seems to be acoustics 261 00:16:07,240 --> 00:16:11,640 and sound that reach the realm of the gods. 262 00:16:11,740 --> 00:16:15,180 The path of the Ten Sifiroats in the Kabbalah 263 00:16:15,280 --> 00:16:17,820 speak of the energy vortexes, which 264 00:16:17,920 --> 00:16:21,260 vibrate in five different harmonics called vowels, 265 00:16:21,360 --> 00:16:23,560 which is called tonal technology. 266 00:16:23,660 --> 00:16:28,260 This knowledge was considered too dangerous to be 267 00:16:28,360 --> 00:16:29,660 publicly displayed. 268 00:16:29,760 --> 00:16:32,840 And according to the stories and the legends, 269 00:16:32,940 --> 00:16:36,940 this technology was unleashed and it destroyed the world. 270 00:16:37,040 --> 00:16:39,440 So well, first thing is to do it Jericho, right? 271 00:16:39,540 --> 00:16:41,040 With their sound, terror, and technology. 272 00:16:41,140 --> 00:16:42,240 Well, Jericho came later. 273 00:16:42,340 --> 00:16:43,880 But actually, when you bring up Jericho, 274 00:16:43,980 --> 00:16:47,020 the whole story of the Ark of the Covenant and the marching, 275 00:16:47,120 --> 00:16:52,380 this is only just one simple biblical example. 276 00:16:52,480 --> 00:16:54,160 The Hebrew Bible's book of Joshua 277 00:16:54,660 --> 00:16:57,400 tells the story of how Israel conquered Canaan, 278 00:16:57,500 --> 00:17:01,400 beginning with the Battle of Jericho. 279 00:17:01,500 --> 00:17:04,840 According to the story, God commanded the Israelites 280 00:17:04,940 --> 00:17:08,380 to march around the seemingly impenetrable walls of Jericho 281 00:17:08,480 --> 00:17:10,940 once a day for six straight days, 282 00:17:11,040 --> 00:17:14,580 carrying with them the Ark of the Covenant. 283 00:17:14,680 --> 00:17:17,880 But on the seventh day, they were to circle Jericho 284 00:17:17,980 --> 00:17:21,160 seven times, making tremendous progress. 285 00:17:21,660 --> 00:17:25,460 On the seventh day, as they circle it, they blow the trumpets. 286 00:17:25,560 --> 00:17:28,860 And it's the sound that brings the walls down. 287 00:17:32,960 --> 00:17:35,300 And you can think about that from an engineering perspective. 288 00:17:35,400 --> 00:17:37,940 Is it the trumpets and the vibration, the sound 289 00:17:38,040 --> 00:17:39,680 of the trumpets that somehow resonates 290 00:17:39,780 --> 00:17:42,740 with a particular frequency in the brick of the walls 291 00:17:42,840 --> 00:17:45,580 that causes these walls to collapse? 292 00:17:45,680 --> 00:17:48,280 And that's what the story of the Ark of the Covenant 293 00:17:48,340 --> 00:17:48,900 is. 294 00:17:49,000 --> 00:17:50,940 Is it possible that the story of Jericho 295 00:17:51,040 --> 00:17:53,940 is a historical account of acoustic technology 296 00:17:54,040 --> 00:17:58,020 being used thousands of years ago? 297 00:17:58,120 --> 00:18:00,780 Ancient astronaut theorists say yes, 298 00:18:00,880 --> 00:18:03,820 and point to other stories that describe the power 299 00:18:03,920 --> 00:18:05,320 of the Ark of the Covenant. 300 00:18:08,820 --> 00:18:11,500 What I have always found fascinating 301 00:18:11,600 --> 00:18:16,160 is that we have stories of these magical, 302 00:18:16,220 --> 00:18:17,780 magical incantations. 303 00:18:17,880 --> 00:18:21,420 But operating something with voice commands, 304 00:18:21,520 --> 00:18:25,360 if you don't know what that is, that's a magical incantation. 305 00:18:25,460 --> 00:18:27,060 This is the interesting thing, because when 306 00:18:27,160 --> 00:18:30,900 you look at the Ark of the Covenant, 307 00:18:31,000 --> 00:18:32,700 you look at the High Priest. 308 00:18:32,800 --> 00:18:35,240 The High Priest, of course, would speak to God. 309 00:18:35,340 --> 00:18:37,080 Wearing the breastplate of judgment, 310 00:18:37,180 --> 00:18:38,740 we had the 12 stones on it. 311 00:18:38,840 --> 00:18:42,040 The High Priest would approach the Ark of the Covenant. 312 00:18:42,140 --> 00:18:45,880 And he would start to research the Ark of the Covenant. 313 00:18:45,940 --> 00:18:51,940 He would start to recite certain tones, sounds. 314 00:18:52,040 --> 00:18:56,180 These were very deep, total throat type chants. 315 00:18:56,280 --> 00:19:00,620 The tones were said to then cause the stones to vibrate. 316 00:19:00,720 --> 00:19:02,920 And they would send out lights. 317 00:19:03,020 --> 00:19:07,960 And then the Ark somehow would react to this. 318 00:19:08,060 --> 00:19:10,260 There's some active energy there, 319 00:19:10,360 --> 00:19:13,500 which we call the glory or cavod of God. 320 00:19:13,560 --> 00:19:18,300 But some actual energy field that if you would be in the presence, 321 00:19:18,400 --> 00:19:20,700 remember, you couldn't go into a machine. 322 00:19:20,800 --> 00:19:21,800 That's right. 323 00:19:21,900 --> 00:19:25,000 Something was there that if you went too close, you died. 324 00:19:25,100 --> 00:19:26,900 I'll tell you exactly what that sounds to me like. 325 00:19:27,000 --> 00:19:32,840 This breastplate has optical and or acoustic optical transceivers 326 00:19:32,940 --> 00:19:33,780 on it. 327 00:19:33,880 --> 00:19:35,880 And they're handshaking, which is what 328 00:19:35,980 --> 00:19:38,420 the old school acoustic phone modems would do when you would 329 00:19:38,520 --> 00:19:40,280 call up or the fax machine calls up 330 00:19:40,380 --> 00:19:41,660 to connect to the other side. 331 00:19:41,720 --> 00:19:44,080 What we're seeing here is that they would use sound 332 00:19:44,180 --> 00:19:45,760 to link heaven and earth. 333 00:19:49,320 --> 00:19:52,560 The idea that sound can facilitate communication 334 00:19:52,660 --> 00:19:57,360 between man and divine beings, like the Hindu use of on, 335 00:19:57,460 --> 00:19:59,740 is a common theme in religious traditions 336 00:19:59,840 --> 00:20:02,100 throughout the world. 337 00:20:02,200 --> 00:20:04,580 All religions really use music. 338 00:20:04,680 --> 00:20:09,040 And you see that in worship services, 339 00:20:09,060 --> 00:20:14,200 both the cantor with the Psalms and the Jewish traditions. 340 00:20:14,300 --> 00:20:17,700 Choir and Christian traditions, even in the Islamic tradition 341 00:20:17,800 --> 00:20:20,700 where there's no formal music, there's a melody 342 00:20:20,800 --> 00:20:22,680 to the recitation of the Quran. 343 00:20:27,180 --> 00:20:31,420 Every culture has the idea that this music connects us 344 00:20:31,520 --> 00:20:33,020 with the divine. 345 00:20:39,980 --> 00:20:43,380 For many religious practices, just as important 346 00:20:43,480 --> 00:20:47,320 as musical traditions are the locations in which the rituals 347 00:20:47,420 --> 00:20:49,660 are performed. 348 00:20:49,760 --> 00:20:52,660 A choir singing in Schar's Cathedral 349 00:20:52,760 --> 00:20:56,400 is magical because of the architectural space. 350 00:20:59,700 --> 00:21:02,700 And so these architectural spaces 351 00:21:02,800 --> 00:21:05,900 in all these various cultures, from these kind 352 00:21:06,860 --> 00:21:12,740 of secret monasteries in the Far East and in the Middle East, 353 00:21:12,840 --> 00:21:18,140 were famous for having architectural designed spaces 354 00:21:18,240 --> 00:21:20,740 that call up the sacred. 355 00:21:26,320 --> 00:21:29,320 Interestingly, a growing number of archaeologists 356 00:21:29,420 --> 00:21:32,120 believe some of the world's oldest structures 357 00:21:32,220 --> 00:21:34,760 were specifically designed to accentuate 358 00:21:34,780 --> 00:21:37,620 acoustic properties. 359 00:21:37,720 --> 00:21:39,660 Like all of you, I'm always keeping up 360 00:21:39,760 --> 00:21:42,820 on the latest archaeological developments and research. 361 00:21:42,920 --> 00:21:46,200 And I think it's really fascinating that monuments 362 00:21:46,300 --> 00:21:49,040 worldwide have acoustic properties. 363 00:21:49,140 --> 00:21:52,100 What they're finding is that these were chambers that 364 00:21:52,200 --> 00:21:54,680 were designed where you would have this acoustic experience 365 00:21:54,780 --> 00:21:57,480 that you heard, but you also felt it in your bones, 366 00:21:57,580 --> 00:21:58,680 in your tissue. 367 00:21:58,780 --> 00:22:01,820 Yeah, they call this archaeoacoustics. 368 00:22:01,880 --> 00:22:04,980 Archaeoacoustics is an interdisciplinary field 369 00:22:05,080 --> 00:22:09,320 of archaeology dedicated to examining how sound and acoustics 370 00:22:09,420 --> 00:22:12,860 were utilized in the ancient world. 371 00:22:12,960 --> 00:22:14,700 It's a relatively new field. 372 00:22:14,800 --> 00:22:18,060 And archaeoacoustics is looking at the sound quality 373 00:22:18,160 --> 00:22:23,340 of ancient sites, historical sites, archaeological sites, 374 00:22:23,440 --> 00:22:27,680 where we see music probably played a role. 375 00:22:27,780 --> 00:22:30,340 Stonehenge is one of those. 376 00:22:30,360 --> 00:22:32,740 Where you stand in the middle of Stonehenge, 377 00:22:32,840 --> 00:22:36,900 you would create the sound blast of music, 378 00:22:37,000 --> 00:22:41,080 whatever implements were used, because we're not really sure. 379 00:22:41,180 --> 00:22:43,380 And it would bounce off those stones 380 00:22:43,480 --> 00:22:46,420 and create this sort of echo chamber. 381 00:22:46,520 --> 00:22:51,120 Stonehenge functioned as a sonic temple. 382 00:22:51,220 --> 00:22:55,560 By this, what I mean is that individuals 383 00:22:55,660 --> 00:22:59,660 in the center of the monument would create 384 00:22:59,720 --> 00:23:04,160 musical sounds, particularly of a low frequency that 385 00:23:04,260 --> 00:23:08,560 would be contained actually inside the stones 386 00:23:08,660 --> 00:23:11,960 and build up an energy, if you like, 387 00:23:12,060 --> 00:23:16,740 for a purpose which we can only guess at right now. 388 00:23:16,840 --> 00:23:19,740 All around the world, archaeologists 389 00:23:19,840 --> 00:23:21,980 have identified numerous ancient sites 390 00:23:22,080 --> 00:23:24,880 that were designed according to acoustic principles, 391 00:23:24,980 --> 00:23:28,980 such as Gobekli Tempeh in Turkey, the Hypogeum, 392 00:23:29,040 --> 00:23:33,480 in Malta, and the New Grains Passage Tomb in Ireland. 393 00:23:33,580 --> 00:23:36,840 New Grains has very strong acoustic properties. 394 00:23:36,940 --> 00:23:40,880 What they found is that the way the sound waves bounce 395 00:23:40,980 --> 00:23:44,120 around the chamber, they create what's called standing waves, 396 00:23:44,220 --> 00:23:47,620 and they increase in intensity and sound. 397 00:23:47,720 --> 00:23:50,960 According to some researchers, curious carvings 398 00:23:51,060 --> 00:23:54,260 found inside New Grains provide key evidence, 399 00:23:54,360 --> 00:23:57,100 documenting that the structure was purposely designed 400 00:23:57,160 --> 00:23:59,800 to have elaborate acoustic properties. 401 00:23:59,900 --> 00:24:03,600 And it seems that these standing waves were recorded 402 00:24:03,700 --> 00:24:05,100 actually within the chamber itself. 403 00:24:05,200 --> 00:24:07,800 Well, you can see these zig-zags carved all over the place, 404 00:24:07,900 --> 00:24:11,000 suggesting that they not only understood acoustics, 405 00:24:11,100 --> 00:24:15,380 but they were recording the experience within the chambers. 406 00:24:15,480 --> 00:24:17,820 The other thing of real interest is the fact 407 00:24:17,920 --> 00:24:21,620 that when they investigated the Corbal Roof, which 408 00:24:21,720 --> 00:24:24,720 is like multiple mega-sized stones almost going around 409 00:24:24,780 --> 00:24:27,440 a spiral, they found that these had been adjusted, 410 00:24:27,540 --> 00:24:29,480 and they found the reason for that 411 00:24:29,580 --> 00:24:33,380 was because they were tuning the chamber acoustically. 412 00:24:33,480 --> 00:24:36,520 Is it merely coincidence that ancient structures 413 00:24:36,620 --> 00:24:39,360 all over the world appear to have been designed 414 00:24:39,460 --> 00:24:42,020 by different civilizations that demonstrate 415 00:24:42,120 --> 00:24:44,600 such similar acoustic properties? 416 00:24:44,700 --> 00:24:47,800 Or might they share a very common purpose? 417 00:24:47,900 --> 00:24:50,200 And if so, why? 418 00:24:50,300 --> 00:24:52,400 I mean, it's fascinating that the whole idea 419 00:24:52,460 --> 00:24:55,100 of these vibrations and acoustics 420 00:24:55,200 --> 00:24:58,460 within these ancient sites and that they were purposely 421 00:24:58,560 --> 00:24:59,760 created that way. 422 00:24:59,860 --> 00:25:03,200 Yeah, they were set up for an extraordinary human experience 423 00:25:03,300 --> 00:25:06,700 that potentially then this can enable an experience 424 00:25:06,800 --> 00:25:10,100 with an otherworldly being, even like a god-like being. 425 00:25:10,200 --> 00:25:12,340 They were signifying it was a place 426 00:25:12,440 --> 00:25:14,840 that they were opening up a spiritual portal 427 00:25:14,940 --> 00:25:18,480 by doing a ceremony, chanting, maybe beating drums 428 00:25:18,580 --> 00:25:21,420 or something, to their ancestor gods 429 00:25:21,480 --> 00:25:23,340 or to their sky gods. 430 00:25:23,440 --> 00:25:25,920 What we're seeing here is that these were meeting 431 00:25:26,020 --> 00:25:28,620 grounds of humans and the gods. 432 00:25:32,220 --> 00:25:35,120 The interesting thing about these resonance chambers, 433 00:25:35,220 --> 00:25:37,860 one thing we have discovered at these low frequencies, 434 00:25:37,960 --> 00:25:43,000 you actually can be in sort of a trance-like state from it. 435 00:25:43,100 --> 00:25:45,600 Apparently, there is a psychological or a spiritual 436 00:25:45,700 --> 00:25:46,900 effect. 437 00:25:47,000 --> 00:25:49,040 This was used with shamanistic practices. 438 00:25:51,480 --> 00:25:55,620 Ancient religious leaders, commonly known as shaman, 439 00:25:55,720 --> 00:26:00,420 were seen as links between humans and a higher realm. 440 00:26:00,520 --> 00:26:03,320 For the shaman, sound was not used merely 441 00:26:03,420 --> 00:26:06,160 to make a spiritual connection with the divine, 442 00:26:06,260 --> 00:26:11,200 but to actually interact with otherworldly beings. 443 00:26:11,300 --> 00:26:16,380 The term shaman comes from Siberian religious practices. 444 00:26:16,480 --> 00:26:19,940 And it means somebody who can see the underlying fabric 445 00:26:20,000 --> 00:26:22,040 of the world around them. 446 00:26:22,140 --> 00:26:25,040 These are the negotiators between this world 447 00:26:25,140 --> 00:26:26,800 and the other world. 448 00:26:26,900 --> 00:26:29,740 They could step into the other world 449 00:26:29,840 --> 00:26:31,740 to negotiate with otherworldly forces. 450 00:26:35,540 --> 00:26:40,360 Individuals, shamans, when they chanted, when they sang, 451 00:26:40,460 --> 00:26:43,320 when they used the instruments, it 452 00:26:43,420 --> 00:26:47,820 was to enter into altered states of consciousness 453 00:26:47,880 --> 00:26:51,520 so that they could communicate with spirit entities 454 00:26:51,620 --> 00:26:54,320 and perhaps connect with what we might describe 455 00:26:54,420 --> 00:26:55,520 as ancient aliens. 456 00:26:58,620 --> 00:27:02,160 The point is that the shamanistic practices all 457 00:27:02,260 --> 00:27:03,900 built upon what? 458 00:27:04,000 --> 00:27:08,140 Chants, sounds, altered states of consciousness, 459 00:27:08,240 --> 00:27:09,700 which bring you into the connection 460 00:27:09,800 --> 00:27:14,540 with extraterrestrials, aliens, whatever is out there. 461 00:27:14,640 --> 00:27:17,040 That's a really interesting point, Rabbi. 462 00:27:17,100 --> 00:27:20,140 You know, we have discovered that sound waves can actually 463 00:27:20,240 --> 00:27:21,800 control our brain. 464 00:27:24,800 --> 00:27:27,940 In the 1960s, neuroscientists discovered 465 00:27:28,040 --> 00:27:31,880 that rhythm and acoustics can produce a physiological change 466 00:27:31,980 --> 00:27:38,120 in the human brain through a process known as entrainment. 467 00:27:38,220 --> 00:27:42,960 If I can create a pulsing in the external environment that's 468 00:27:43,060 --> 00:27:46,060 pulsing at a brainwave speed, my brainwaves 469 00:27:46,120 --> 00:27:49,360 will try to match that speed to save energy. 470 00:27:49,460 --> 00:27:54,460 And my consciousness will change in the process. 471 00:27:54,560 --> 00:27:56,700 So we can do that using just a drum 472 00:27:56,800 --> 00:28:00,040 to change consciousness at will. 473 00:28:00,140 --> 00:28:03,240 If I hook you up to an EEG machine 474 00:28:03,340 --> 00:28:05,480 so I can look at your brainwaves, 475 00:28:05,580 --> 00:28:08,180 and normally when we're awake, my brainwaves 476 00:28:08,280 --> 00:28:10,580 are generating beta function, which 477 00:28:10,680 --> 00:28:15,380 is rapid between 13 hertz and 38. 478 00:28:15,440 --> 00:28:17,780 And the drumbeat is at 5. 479 00:28:17,880 --> 00:28:20,640 And my brainwaves are going to start slowing down 480 00:28:20,740 --> 00:28:23,140 and slowing down slower, slower. 481 00:28:23,240 --> 00:28:26,020 To take my consciousness from a waking state 482 00:28:26,120 --> 00:28:29,620 into a dream state without going to sleep first, which 483 00:28:29,720 --> 00:28:34,660 means that's a classic definition of a trance. 484 00:28:34,760 --> 00:28:37,560 The earliest examples of brain entrainment 485 00:28:37,660 --> 00:28:40,600 would be shamanic drumming. 486 00:28:40,700 --> 00:28:44,640 The speed of the drumbeat tends to be around 5 hertz. 487 00:28:44,660 --> 00:28:46,060 And that's about like this. 488 00:28:51,160 --> 00:28:53,200 That's about 5 hertz. 489 00:28:53,300 --> 00:28:55,080 And 5 hertz is where your brain goes 490 00:28:55,180 --> 00:28:57,340 when you're dreaming at night. 491 00:28:57,440 --> 00:29:02,480 All ideas to transform consciousness. 492 00:29:02,580 --> 00:29:07,220 They were trying to achieve a connection with the divine, 493 00:29:07,320 --> 00:29:09,920 with the otherworldly. 494 00:29:10,020 --> 00:29:13,820 If modern science has proven that shamanic drumming does 495 00:29:14,080 --> 00:29:17,440 in fact induce a state of trance, 496 00:29:17,540 --> 00:29:19,880 could it also be true that it enables 497 00:29:19,980 --> 00:29:24,620 extrasensory abilities and even allows for communication 498 00:29:24,720 --> 00:29:25,620 with other realms? 499 00:29:28,320 --> 00:29:33,160 While it may sound like a far-fetched notion, in 1995, 500 00:29:33,260 --> 00:29:36,900 the US government revealed that brain entrainment was part 501 00:29:37,000 --> 00:29:42,540 of its top secret spy program called Project Stargate. 502 00:29:42,560 --> 00:29:45,040 Operatives in this clandestine unit 503 00:29:45,140 --> 00:29:49,140 gathered intelligence about persons, places, and events 504 00:29:49,240 --> 00:29:53,340 from great distances by sensing with their minds, 505 00:29:53,440 --> 00:29:57,740 a practice called remote viewing. 506 00:29:57,840 --> 00:30:02,380 During the 1970s, President Jimmy Carter's administration 507 00:30:02,480 --> 00:30:05,520 used remote viewers to locate a downed Russian spy 508 00:30:05,620 --> 00:30:08,420 plane in Africa. 509 00:30:08,520 --> 00:30:11,020 You talk to any of the old remote viewers, the ones 510 00:30:11,080 --> 00:30:13,640 from the Stargate program, they'll tell you 511 00:30:13,740 --> 00:30:17,680 how accurate and how important and how relevant 512 00:30:17,780 --> 00:30:20,020 their information was. 513 00:30:20,120 --> 00:30:24,320 John Vivonko has been working in the field of remote viewing 514 00:30:24,420 --> 00:30:29,660 as both a teacher and practitioner for more than 20 years. 515 00:30:29,760 --> 00:30:33,220 I worked with corporations, intelligence, 516 00:30:33,320 --> 00:30:37,800 counter-terror for the FBI after 9-11. 517 00:30:38,180 --> 00:30:41,480 At the start of every remote viewing session, 518 00:30:41,580 --> 00:30:45,380 John uses specific sounds to entrain his brainwaves 519 00:30:45,480 --> 00:30:49,540 and create a trance-like state. 520 00:30:49,640 --> 00:30:51,980 What we do with remote viewing before we do a session 521 00:30:52,080 --> 00:30:53,480 is cool down. 522 00:30:53,580 --> 00:30:55,520 We will meditate. 523 00:30:55,620 --> 00:30:59,420 And one of the aids that we'll use are binaural beats. 524 00:30:59,520 --> 00:31:03,000 So if you think about frequencies in the ear, 525 00:31:03,100 --> 00:31:05,260 we'll listen to these sounds. 526 00:31:05,320 --> 00:31:11,100 So if one ear is pulsing a sound of, let's just say, 6 hertz, 527 00:31:11,200 --> 00:31:16,460 and in another ear it's pulsing a sound of 4 hertz, 528 00:31:16,560 --> 00:31:20,540 your brainwaves will synchronize to around 5 hertz. 529 00:31:20,640 --> 00:31:23,900 And we like to stay in that zone in order 530 00:31:24,000 --> 00:31:26,380 to get the best information. 531 00:31:26,480 --> 00:31:29,680 John claims that by entering this trance state, 532 00:31:29,780 --> 00:31:33,580 remote viewers have gathered more than just information. 533 00:31:33,600 --> 00:31:37,300 They have also encountered otherworldly beings. 534 00:31:37,400 --> 00:31:40,280 We were working a project around the Iroceba radio 535 00:31:40,380 --> 00:31:41,540 observatory. 536 00:31:41,640 --> 00:31:46,180 And I was the first viewer on this particular tasking. 537 00:31:46,280 --> 00:31:49,920 And I start to get these beings, these aliens. 538 00:31:50,020 --> 00:31:52,760 I just remember during the session, 539 00:31:52,860 --> 00:31:54,120 I kept saying, they're coming. 540 00:31:54,220 --> 00:31:55,060 They're coming. 541 00:31:55,160 --> 00:31:56,160 They're coming. 542 00:31:56,260 --> 00:31:59,760 And they started to take notice of me. 543 00:31:59,860 --> 00:32:01,360 And I'm starting to freak out because I've 544 00:32:01,420 --> 00:32:03,720 got tons of adrenaline flowing through me. 545 00:32:03,820 --> 00:32:06,520 I'm in fight or flight. 546 00:32:06,620 --> 00:32:09,020 It telepathically communicated with me. 547 00:32:09,120 --> 00:32:12,260 And it said, we are here to help you, 548 00:32:12,360 --> 00:32:15,660 and we want you to help us. 549 00:32:15,760 --> 00:32:19,200 The other viewers started to experience the same thing. 550 00:32:19,300 --> 00:32:22,900 And so that's when we started to, OK, now, you know, 551 00:32:23,000 --> 00:32:25,340 I'm not hallucinating. 552 00:32:25,440 --> 00:32:26,580 This is absolutely real. 553 00:32:29,140 --> 00:32:31,240 Travis, you could speak to this probably more deeply. 554 00:32:31,240 --> 00:32:33,900 I don't know much detail, but we live in a spectrum, right? 555 00:32:34,000 --> 00:32:37,900 We see a very tiny sliver of reality. 556 00:32:38,000 --> 00:32:40,340 And what if these frequencies, what if they're like dials? 557 00:32:40,440 --> 00:32:42,440 You know, you can, like, you're turning the radio dial. 558 00:32:42,540 --> 00:32:44,540 I'm not in Earth frequency anymore. 559 00:32:44,640 --> 00:32:46,440 I'm just going to tune it a little bit in this space, 560 00:32:46,540 --> 00:32:48,640 and I'm going to be able to see what's actually there. 561 00:32:48,740 --> 00:32:51,520 So what if, and this is a what if, 562 00:32:51,620 --> 00:32:53,120 you're in this perfect spot. 563 00:32:53,220 --> 00:32:57,020 What if that shifts you slightly in the spectrum 564 00:32:57,120 --> 00:32:59,360 that you can perceive? 565 00:32:59,420 --> 00:33:00,980 How about this? 566 00:33:01,080 --> 00:33:03,820 If we could actually, through science, 567 00:33:03,920 --> 00:33:06,820 find the proper resonances, tones, 568 00:33:06,920 --> 00:33:11,520 that'll actually put us in contact with, with whom? 569 00:33:11,620 --> 00:33:12,460 Ancestors. 570 00:33:12,560 --> 00:33:17,500 The only way to find out is to knock on the door, 571 00:33:17,600 --> 00:33:21,340 go through, and say, who's there? 572 00:33:21,740 --> 00:33:25,980 There is an ancient book called Perikshira, 573 00:33:26,080 --> 00:33:29,080 where the chapter of song, where in which is revealed 574 00:33:29,180 --> 00:33:32,480 that everything in nature has its own vibration, 575 00:33:32,580 --> 00:33:35,020 which means it has its own consciousness. 576 00:33:35,120 --> 00:33:36,020 Right. 577 00:33:36,120 --> 00:33:37,220 We call that mechanical resonance. 578 00:33:37,320 --> 00:33:38,320 Everything is alive. 579 00:33:38,420 --> 00:33:42,020 And that comes back to the universe itself 580 00:33:42,120 --> 00:33:45,620 as this mishmash of vibrations, 581 00:33:45,720 --> 00:33:48,260 and it's singing a song, so to speak, 582 00:33:48,280 --> 00:33:51,720 and if we learn how to interpret and or manipulate the song, 583 00:33:51,820 --> 00:33:54,160 then we can interpret and or manipulate the universe. 584 00:33:54,260 --> 00:33:55,260 And it's all harmonics. 585 00:33:55,360 --> 00:33:56,260 It's all harmonics. 586 00:33:56,360 --> 00:33:58,160 So we've got to go back to Pythagoras 587 00:33:58,260 --> 00:34:00,760 with his music of the spheres concept, 588 00:34:00,860 --> 00:34:04,140 because he comes up with the idea of the musical scale 589 00:34:04,240 --> 00:34:05,800 and the musical ratios. 590 00:34:08,900 --> 00:34:12,380 In the sixth century BC, Pythagoras, 591 00:34:12,480 --> 00:34:15,180 the famous Greek mathematician and philosopher, 592 00:34:15,240 --> 00:34:18,340 made an acoustic discovery that would reverberate 593 00:34:18,440 --> 00:34:20,080 through history. 594 00:34:20,180 --> 00:34:22,480 Pythagoras was, in a certain sense, 595 00:34:22,580 --> 00:34:25,980 the father of modern mathematics. 596 00:34:26,080 --> 00:34:29,960 He gave us the base 10 formula for our Western system 597 00:34:30,060 --> 00:34:35,200 of numbers, and he discovered a divine symmetry, so to speak, 598 00:34:35,300 --> 00:34:36,760 in all things that exist. 599 00:34:40,360 --> 00:34:42,800 One day, Pythagoras is walking in the woods, 600 00:34:42,860 --> 00:34:45,600 and he's hearing some harmony coming out 601 00:34:45,700 --> 00:34:48,300 from the smithy area there. 602 00:34:48,400 --> 00:34:52,600 And so with the kind of persistence of a scientist, 603 00:34:52,700 --> 00:34:57,440 he figures out that if a hammer is twice the weight 604 00:34:57,540 --> 00:35:01,220 of another hammer, and they both strike at the same time, 605 00:35:01,320 --> 00:35:03,620 the notes they make are harmony. 606 00:35:06,720 --> 00:35:09,620 The great discovery he made was that the hammer 607 00:35:10,620 --> 00:35:12,920 and the hammer were the same size. 608 00:35:13,020 --> 00:35:18,620 The great discovery he made is that the waves generated, 609 00:35:18,720 --> 00:35:20,720 say by strings or wind instruments, 610 00:35:20,820 --> 00:35:24,000 could be converted into clear notes and scales 611 00:35:24,100 --> 00:35:26,960 by using fractions and discrete ratios. 612 00:35:27,060 --> 00:35:31,440 So Pythagoras did this amazing job of taking math and geometry 613 00:35:31,540 --> 00:35:35,000 and tying it to music, which then led to the entire Western 614 00:35:35,100 --> 00:35:36,000 musical scale. 615 00:35:39,680 --> 00:35:43,340 And so Pythagoras' monics led him to theorize that everything 616 00:35:43,440 --> 00:35:46,920 in the universe, including planets and stars, 617 00:35:47,020 --> 00:35:50,720 exists in a constant state of vibration. 618 00:35:50,820 --> 00:35:52,320 Incredibly, he was right. 619 00:35:55,400 --> 00:35:59,940 2,000 years ago, the Greeks asked an elemental question. 620 00:36:00,040 --> 00:36:03,640 What paradigm can explain the entire complexity 621 00:36:03,740 --> 00:36:06,300 of the universe? 622 00:36:06,400 --> 00:36:09,580 Pythagoras said music has the complexity 623 00:36:09,680 --> 00:36:12,280 of the universe itself. 624 00:36:12,380 --> 00:36:15,680 So in other words, our universe resonates with the notes 625 00:36:15,780 --> 00:36:16,580 from music. 626 00:36:19,120 --> 00:36:22,920 Pythagoras said that everything is based on music, which in turn 627 00:36:23,020 --> 00:36:27,660 is based on certain ratios, thirds, fifths, octaves. 628 00:36:27,760 --> 00:36:30,660 So why not explain the solar system this way? 629 00:36:30,760 --> 00:36:34,640 If you look at Mercury, Venus, Earth, Mars, Jupiter, Saturn, 630 00:36:34,740 --> 00:36:37,700 they are aligned according to certain ratios. 631 00:36:37,760 --> 00:36:41,660 Maybe these ratios are the ratios of strings. 632 00:36:41,760 --> 00:36:44,100 And so he called it music of the spheres. 633 00:36:47,000 --> 00:36:49,800 When planets move around the solar system, 634 00:36:49,900 --> 00:36:54,140 he thought they must create music, music that we cannot hear. 635 00:36:54,240 --> 00:36:57,220 This is heavenly music, music of the angels. 636 00:36:57,320 --> 00:37:00,480 But nonetheless, that would explain the regularity 637 00:37:00,580 --> 00:37:03,020 of the solar system itself. 638 00:37:03,120 --> 00:37:06,020 And so he thought you could explain the universe 639 00:37:06,120 --> 00:37:07,020 through music. 640 00:37:08,700 --> 00:37:13,600 Pythagoras felt he was unlocking a kind of code of creation. 641 00:37:13,700 --> 00:37:17,300 He was providing humanity with the language of the gods, 642 00:37:17,400 --> 00:37:19,800 so to speak. 643 00:37:19,900 --> 00:37:22,700 Pythagoras said it was Apollo, the sun god who 644 00:37:22,800 --> 00:37:25,240 taught him about all of these advanced concepts 645 00:37:25,340 --> 00:37:28,580 and laying down the basis for modern music and everything 646 00:37:28,680 --> 00:37:30,020 that we know about music. 647 00:37:30,120 --> 00:37:32,320 So there's an extraterrestrial connection here 648 00:37:32,420 --> 00:37:34,760 that is very important for us to think about. 649 00:37:34,820 --> 00:37:39,520 All this talk about music and frequencies and harmonics 650 00:37:39,620 --> 00:37:42,260 all boils down to mathematics, correct? 651 00:37:42,360 --> 00:37:45,160 According to the ancient, probabilistic text, 652 00:37:45,260 --> 00:37:50,300 math complemented with the appropriate harmonics 653 00:37:50,400 --> 00:37:54,180 are going to align with the natural harmonic or universal 654 00:37:54,280 --> 00:37:56,680 pattern of the universe. 655 00:37:56,780 --> 00:38:00,240 We are talking about the hidden sacred knowledge 656 00:38:00,300 --> 00:38:05,540 of the ancients, which was their secret technology, 657 00:38:05,640 --> 00:38:08,740 their way of reaching out to the higher dimensions, 658 00:38:08,840 --> 00:38:12,680 whether they be to angels or gods or ancient aliens. 659 00:38:16,920 --> 00:38:19,480 This is a really interesting conversation 660 00:38:19,580 --> 00:38:21,860 about all these different acoustic properties. 661 00:38:21,960 --> 00:38:25,960 I've always thought that there's a different pattern. 662 00:38:26,060 --> 00:38:27,860 I've always called it the god fractal. 663 00:38:27,960 --> 00:38:29,960 That I think if you found it, it would be 664 00:38:30,020 --> 00:38:31,380 like the mathematical instructions 665 00:38:31,480 --> 00:38:33,180 to building the universe or whatever. 666 00:38:33,280 --> 00:38:36,860 Have you seen diagrams throughout history or whatever 667 00:38:36,960 --> 00:38:40,060 that, to you, suggest the pattern? 668 00:38:40,160 --> 00:38:41,160 The flower of life. 669 00:38:41,260 --> 00:38:42,460 I was just about to say. 670 00:38:42,560 --> 00:38:45,060 It has to be the flower of life, the symbol of creation 671 00:38:45,160 --> 00:38:47,200 itself. 672 00:38:47,300 --> 00:38:49,900 Constructed of overlapping circles, 673 00:38:50,000 --> 00:38:53,040 the flower of life holds all geometric forms 674 00:38:53,140 --> 00:38:56,040 within its design. 675 00:38:56,140 --> 00:38:59,440 One of the oldest known examples of this sacred geometry 676 00:38:59,500 --> 00:39:02,740 can be found at the Temple of Osiris in Egypt. 677 00:39:02,840 --> 00:39:07,600 A structure archeologist's claim is 6,000 years old. 678 00:39:07,700 --> 00:39:10,340 The flower of life symbol is considered the seed 679 00:39:10,440 --> 00:39:13,440 symbol of all symbols. 680 00:39:13,540 --> 00:39:15,780 The ancient Egyptians understood this symbol, 681 00:39:15,880 --> 00:39:18,080 came from the heavens. 682 00:39:18,180 --> 00:39:19,680 The flower of life is very special. 683 00:39:19,780 --> 00:39:24,260 It's really a mandala and may have something to do 684 00:39:24,360 --> 00:39:28,900 with the geometric nature of the universe. 685 00:39:29,900 --> 00:39:31,720 We don't know exactly what it did. 686 00:39:31,820 --> 00:39:36,860 Perhaps it was really symbolizing some device 687 00:39:36,960 --> 00:39:40,300 that's a sound device, a harmonic device, something 688 00:39:40,400 --> 00:39:45,900 that's highly technical and was used by these ancient cultures. 689 00:39:46,000 --> 00:39:49,040 Is it possible that extraterrestrials have used 690 00:39:49,140 --> 00:39:54,140 acoustics to guide humankind for thousands of years? 691 00:39:54,240 --> 00:39:58,580 And if so, did they hide clues in ancient traditions? 692 00:39:59,360 --> 00:40:03,400 Structures that create altered states of consciousness 693 00:40:03,500 --> 00:40:08,640 and sacred shapes in the form of cinematic patterns? 694 00:40:08,740 --> 00:40:10,840 Perhaps the next great leap forward 695 00:40:10,940 --> 00:40:15,280 will occur once we tune in to the extraterrestrial messages 696 00:40:15,380 --> 00:40:18,380 around us. 697 00:40:18,480 --> 00:40:20,480 I think to the opportunity we have here 698 00:40:20,580 --> 00:40:23,520 for cracking this harmonic code is 699 00:40:23,620 --> 00:40:26,480 we all talk about a golden age and a time when we're 700 00:40:27,480 --> 00:40:31,080 going to see extraterrestrial presence on this planet. 701 00:40:31,180 --> 00:40:32,480 And this could be the key to it. 702 00:40:32,580 --> 00:40:34,480 Harmony is the right key word there. 703 00:40:34,580 --> 00:40:35,380 Exactly. 704 00:40:35,480 --> 00:40:36,380 Yeah, right? 705 00:40:36,480 --> 00:40:37,380 It's the whole universe to be in harmony, yeah. 706 00:40:37,480 --> 00:40:41,560 So this is literally getting the right vibrations 707 00:40:41,660 --> 00:40:43,700 to match with the right vibrations 708 00:40:43,800 --> 00:40:47,360 to create the next experience of reality. 709 00:40:47,460 --> 00:40:47,960 I like that. 710 00:40:48,060 --> 00:40:53,240 Guys, look, this has been an absolutely incredible conversation. 711 00:40:53,300 --> 00:40:57,740 And I think we've established that there is way more 712 00:40:57,840 --> 00:40:59,400 to the world that we know of. 713 00:40:59,500 --> 00:41:02,640 There's way more to our reality and also what 714 00:41:02,740 --> 00:41:05,740 we can perceive with our senses. 715 00:41:05,840 --> 00:41:11,040 And I can't wait to continue this at some other time, 716 00:41:11,140 --> 00:41:12,980 to be continued.